Monday, March 30, 2009

De/Re Construct Project



This reconstruction of the Wells Fargo logo represents the ways in which Wells Fargo "fucks" you out of your money. The company charges $34 overdraft fees and interest rates range from 15% to 40%. Wells Fargo boasts about aiding young people in reaching their financial dreams, yet I have only heard negative testimonies in regard to banking with this company. I have never heard of someone truly gaining from Wells Fargo and when dubbing the company Wells Fucko, the response is always affirmative laughter.

Friday, March 27, 2009

Media Journal Entry #9


Harvey Milk's story brought to life in the recently released on DVD film Milk is a breakthrough for the representation of homosexuals in the media. In response to the recent class content regarding the skewed representation of queer lifestyles in the media, and following our viewing of The Celluloid Closet, commenting on Milk seems appropriate.

Many Americans still are in the dark or in the closet so to speak when it comes to understanding major touchstones in the quest for gay rights. Prior to Milk, I was upset to find few people knew of his story or were informed as to the extreme adversity gays have faced throughout the quest for equality. It is a monumental in terms of censorship and films in general that this production achieved such great success. I am stoked that Dustin Lance Black recieved best original screenplay for this achievement. Although the movie moves slowly it truly captures Harvey's zest for gay rights and the limitless extent of his efforts in creating security and community for homosexuals. Black's acceptance speech at the Oscar's hits home in terms of today's gay and lesbian youth and fears still prevalent with coming out. It was refreshing to see an out artist openly expressing the normalcy and beauty in accepting one's sexuality. His speech claimed "God loves you" and something to the extent of who you are cannot be deemed wrong, no god could hate you. Tying into the censorship of "perverted" film material seen in The Celluloid Closet pushed by the Catholic church, this speech is especially important. Someone can finally say that the "god" so offended by homosexual material actually loves the homosexuals just as much as the straight ones. Love it. I am fortunate to live in a generation where being gay is finally acceptable and now the media is able to freely illustrate the efforts of the beautiful souls who have paved the rocky road in order to reach this point. I highly recommend Milk, the film does Harvey Milk and gays everywhere needed justice.

Friday, March 20, 2009

Media Journal Entry #8



I feel Ani Difranco touches on many subjects relevant to media literacy discourse, in particular femininity and empowerment. Shameless is one of her more popular songs, and thus more accessible video wise, however despite its catchy appeal, the song addresses conventional codes of fidelity and faithfulness and stigmatisms surrounding females in conventional society. Some lyrics include:

"i gotta cover my butt 'cuz i covet
another man's wife
i got to divide my emotions
between wrong and right
then i get to see how close i can get to it
without giving in
then i get to rub up against it
till i break the skin
rub up against it
till i break the skin

they're gonna be mad at us
they're gonna be mad at me and you…

just please don't name this
please don't explain this
just blame it all on me
say i was shameless
say i couldn't slow it down
let alone stop it
and say you just hung around
'cuz you couldn't top it"

Ambiguity exists as to the main message of this song however I personally draw from it meanings of shame projected toward females for the expression of interior desire and passion. The song may be discussing an affair however it still addresses the ways in which female expression is frowned upon and females are left defined as "shameless". Although not her best song, it's a good'n.

Reaction Essay: The Celluloid Closet

I find this documentary does well to illustrate the under representation of homosexuals in Hollywood and the media in general. I enjoyed the introduction to the film where one male is shown cutting in on a couple’s dance to dance with the other man. The film depicts how Hollywood has taught straight people what to think of gay people and how gay people should view themselves. Early homosexuals in the media evoke a comical reaction, thus at first gay men only served as humorous additions to films. Films throughout the thirties depict gay men as “sissies” which serve as laughing objects where women homosexuals do not garner any laughter. Man depicted as woman is funny, however woman depicting man is not.

Interesting to learn was the Catholic churches affect on homosexuality in the media. The Catholic church intervened in order for Hollywood to solely produce media that promotes moral and virtuous entertainment. The church is quoted saying: “Decent people don’t like this type of stuff”. This reiterates the way in which the media creates the way in which we view ourselves, straight and gays alike. The doc delves into how even following media-content laws, directors and producers were still able to present homosexuality in films only through a “hush-hush” manner, in this way directors played on the ignorance of the audience. I enjoyed the way the documentary clearly depicts how Hollywood has, along with all mediums of the media, created the convention for masculinity and the difficulties in homosexuality in terms of convention. The doc shows how men are rarely depicted as emotional creatures on the screen and thus when boys and men show emotion their masculinity is threatened. It was interested to see how the female body is openly displayed in film whereas the male body’s nakedness evokes discomfort in the audience. This ties into the degrading aspects of film in terms of femininity and perpetuates the exotic, sex-object role women have conventionally been constructed to fill.

The documentary also points out how female homosexuality is viewed by males as more of a “phase-type” process and there is an overall lack of seriousness toward lesbianism. I found it hilarious listening to the doc’s interview with Susan Sarandon in regard to males’ means of preparation for dangerous situations. Sarandon comments that in danger “boys pull out their guns, not their dicks” which reiterates conventional masculinity and how males are romanticized as tough and ready-for-action while women remain passive.

Despite the somewhat redundant qualities of the documentary, I felt it very powerful in that, yes homosexuals are not only underrepresented in the media but wrongly represented, and it is refreshing to see a documentary so clearly hone in on the background of these representations.

Thursday, March 19, 2009

Reaction Essay DIFF Short: Making the Man

Although short I found this independent film quite appropriate for the discourse concerning media literacy. In just 11 minutes, film maker John Susman
successfully shows the validity of film, or more so the lack there of. The short illustrates background editing involved with the video interview process, and the ways in which the truth is construed deceptively.

In short, the film shows the magic, so to speak, of editing and how one nervous, unconventional, “average Joe” is transformed into a dream date. The film’s title: Making the Man is thus quite right on in terms of the film’s over all message. The film is illustrative of the potential and common lack of modality created through video editing. A woman interviewer interrogates a younger male for what seems to be a desk job or similar occupation. After many fatal attempts at receiving insightful input from the interviewee, the woman asks the man to repeat after her word for word. What seems like a routine interview practice turns into the ultimate scam to take all of the repeated phrases out of context and edit the interviewee into the perfect candidate for a dating service. An example repeated phrase is: “I travel often to exotic places like Africa”. The final product’s spliced sections from the interview informs the audience as to the conventionally desired aspects of masculinity and professionalism and delete less amiable features such as nervousness and short-lived conversational skills. The movie illustrates editing’s ability to create the epitome of America’s socially constructed image of “man”.

Wednesday, March 18, 2009

Reaction Essay (outside DIFF): Raising Cain

Raising Cain, is a documentary based on co-author and host of the documentary Michael Thompson, P.H. D.’s book Raising Cain: Exploring the Inner Lives of America’s Boys. The doc’s running time is 120 minutes, the film was produced in 2006 by Powerhouse Productions and aired through PBS. This doc illustrates the life of boys currently raised in the United States, their pressures, assumptions surrounding boys, problems and suggested remedies. There is a correlation between this documentary and the DIFF short Making the Man in that this documentary explores the tribulations imposed on adolescent males striving to find their own identity, an identity that has been socially constructed and made permanent through time. The film also addresses the issue of violence in the media and shortcoming of currently accepted ways of curing the problem.

The doc emphasizes that the “crux of the issue” is that children’s violent thoughts must be accommodated rather than mistaken for actual violence. The film raises the question of what is inherently violent in humans and what are the warning signs for actual violent action? Michael Thompson visits many elementary schools and focuses on ways that teachers deal with violent thoughts in kindergartners. One teacher’s method is allowing students to create their own fictional stories and discussing with the class over what is appropriate for violence. The consensus the class reaches is that characters are allowed to “faint” rather than be killed.

Thompson also visits a hospital nursery to focus on how as infants there is no true distinction between males and females, focusing on the socially-constructed nature of gender.
Thompson discusses discipline tactics in Japan and how their effectiveness differs greatly from the United States. It was interesting to learn that in a Japanese day care the teacher stands back when fights break out/violent tendencies surface, and she looks to the students to resolve their conflict individually. This teaches the students empathy and also invokes the lesson of communicating feelings rather than expressing them physically. In day cares in the United States, Thompson focuses on how when violence breaks out the teacher jumps right in and eliminates the opportunity for self-imposed resolution and empathetic communication.

Thompson interviews several pubescent boys in order to gather input as to their educational experience, his responses were startling. Those interviewed are under the impression that their teachers favor the girl classmates over boys. The host points out that due to boys’ impulsive tendencies and the disciplinary tactics used to overcome these outbursts, boys begin to gather the impression that the school “deck is stacked against them”, thus setting them up for failure. Thompson points out that of all teachers in schools over %70 are female and thus boys have less role models to relate to in their schools.

When interviewed over their favorite subjects in school, the boys’ answers include recess, gym, snack period etc. rather than academic subjects of any sort. Thompson suggests that boys growing up in school need more recess in order to release their consuming amount of energy. Many young boys receive punishment in school for their outbursts and difficulties in concentration, this punishment takes away certain energy-releases for them such as recess, where they are forced to stay in and complete unfinished tasks, thus another example of how boys may have the conception the “cards are stacked against them”.

Tying to boys’ attention capabilities, Thompson indicates that out of all boy students in the United States, 1/3 are diagnosed with ADD or ADHD or a similar hyper-attention deficit disorder. Thompson raises the question: “Should these students be medicated?” or simply treated in ways to accommodate naturally energy impulse? The doc also presents the fact that fewer than 1 in 9 teacher is male, and focuses on a particular male teacher in New York whose tactics for dealing with a “problematic” male student are highly effective. The teacher has the student take a walk around the school whenever he feels unable to concentrate on given tasks.

Thompson visits the Bronx where boys test scores are the lowest in New York City. He notes that the smarter, academic boys are teased and bullied. One remedy for boys’ performance is an all-boys school Thompson visits. In the all-boys school, the code word for love is “brother”. The school ingrains values of emotion and compassion in order to avoid the socially constructed “tough” masculinity that seeds out emotional releases. The school is predominately filled with economically disadvantaged inner-city boys. Thompson notes that upon interviewing both male and female students in the Bronx area, %80 of males strive to be professional NBA players where %80 of females strive to be doctors and lawyers. Where has the academic ambition in males gone? Why are the boys growing up in America hyper focused on creating this type of identity for themselves and ashamed at thriving in school?

Certain boys interviewed from the all-boys school mention that there is no pressure to “act tough” and the boys are generally “nicer”. The school helps pre-pubescent boys learn with the absence of imposed gender roles. An interviewed male teacher claims: “Only men can teach a boy how to be a man”. This addresses the problem that many boys’ behavioral problems could arise from the absence of a strong male leader-figure in their lives, at home and in school.
Honing in on the puberty process, Thompson describes that puberty for males begins at 12 and thus starts their “culture of cruelty”. The host focuses on one “outcast” type boy trying to survive throughout this period and how is found identity as a band-member, metal head has created in him self-confidence to continue his life happily. The thirteen year-old’s band is called “obsolete human disorder”. This made me laugh, however it is also quite disturbing to realize a lost 13 year old finds solace in a band capitalizing on the setbacks of the human existence. When asked what names this boy has been called for his decision to defy mainstream convention, the boy responded: “fat-Mcgoth”, “fag”, “loser”, etc. Boys are commonly bullied throughout this age group at school, often times physically.

Thompson elaborates on the “culture of cruelty”. He claims that in order for youth to defend themselves against this culture individuals must create their own identities. Boys must “own” part of something. Every boy needs a friend, or friends to survive. Their common mission to peers is to prove themselves in some way, boys must master some sort of trade or interest in order to validate their place.

Thompson focuses on turning boys into men. Focusing on 15-17 year olds, Thompson realizes that the most common recruiting factor for male teen group is imposing fear. Out of the fear of “not being cool” and other similar insecurities, boys develop a “need” for male role models, the absence of dependable male role models thus leads them to look up to older teens who perpetuate the fear-recruitment tactic. In the town of Chelsea, Thompson reports that 1/3 of households are fatherless, when asking certain boys who the male role models in their lives are, answers included: their coaches and mothers.

Thompson brings up the issue of “the mask of masculinity”, where many boys thrive on projecting a “tough posture”, but Thompson specifies that underneath this mask lies fear and sadness and an underlying inability to express necessary emotions. Thompson looks at one neighborhood where boys regularly organize fights where nine-year olds are coached by other boys. Therefore young kids are taught how to fight each other and remain popular and liked by their ability to hold their own in a street fight. One boy actually comments: “On the streets, you gotta be like an animal”.

The U.S. leads the industrial world in fatherless-ness, and Thompson indicates that commonly accepted forms of punishment may provoke negative influences that increase boys’ vulnerability to joining the aforementioned gang manhood. One example Thompson uses to illustrate the fatal nature of current punishment tactics is an example of a group of boys disciplined in a school after vandalizing school property. The boys interviewed who were known to be directly involved all resorted to lying. Thompson indicates that boys will almost always resort to lie as not to be ashamed.

The documentary’s main conclusive remedy is for the boys of the United States to see more men filling value roles beneficial in that these figures must show compassion and caring and help recreate and redefine convention’s image of manhood.

Friday, March 6, 2009

Media Journal Entry #7

This entry is in response to Discover magazine's April 2009 issue article entitled: "Brain Boost: Should Everyone Be on Ritalin?" by Sherry Baker. Humanity's historical and growing dependency on mind-altering substances has always fascinated me and this article illustrates our nation, among others' growing obsession with cognition-enhancing pharmaceuticals.

Baker opens her piece addressing a conversation she recently had with three other professionals over dinner, a physician, a neurology technician, a computer executive and herself a writer. The discussion revolved around her company's growing fascination with a newer drug Provigil. Provigil is the marketed drug composed of modafinil, an attention-enhancer which gives similar affects as aderol and ritalin, however without the "cracked-out", "crash" effect. Provigil is mostly taken by those desiring increased performance without a proper diagnosis or disease. Baker discusses how this group of professionals along with many others have grown to not only thrive on but also depend on attention-enhancing drugs.

Statistics include: Through a study conducted at the University of Maryland including 1208 interviewed students, 18% take attention-enhancing drugs without a prescription. During a survey conducted by Nature reported that 20% of 1400 respondents reported using cognition-enhancing drugs for non-medical reasons, 50% of which reported daily and weekly use. Nearly half of those interviewed are not part of the younger within-the-twenties generation either, about half interviewed age over 35.

The article delves into other aspects of attention-enhancers in terms of countries as a whole. A Neurotechnology researcher is quoted discussing not only individual potential of these drugs but economic growth potential for countries in general. He states: "Think of millions of workers in India or China cognitively enhanced with neuropharmaceuticals. Will the United States be able to compete?" This leads into discourse about the machine-like nature certain drugs can entail in humans. This type of remark yields the belief that humans will in the future be run by drugs, thus economies will depend on substances such as ritalin and provigil. The article also discusses more mundane drug use such as LSD, marijuana, psilocybin, mescaline, etc. in terms of creativity-catalyzing characteristics.

Baker also illustrates the rise of memory-enhancing drug and deems memory as "the new sex" in terms of peoples' obsession with increasing our cognitive memorizing capabilities. Also intriguing in the article is the authors discussion of "transhumanists" and "transhumans". She first discusses altered athletes using steroids but focuses in on humans who make drug enhancement their profession. She describes such "transhumanists" as those who study the voluntary "ethical" use of technology to create humans with biological capacities enhanced far beyond people of today". This scares me in that this research pushes our potential as human beings past what is naturally occurring and begins to devise artificially-aided intelligence rather than naturally-attributed cerebral capabilities.

In terms of the author's own personal drug use she concludes in a very interesting manner. The author discusses her own stress revolving throughout her life presently and notes that a friend offered her a joint to smoke, a doctor handed her some Provigil samples "just in case" and she also noted that she is prescribed Klonopin for anxiety. The author leads the reader to believe that she is "above this" and that drugs just "aren't for her". She concludes however, writing: "Is [Provigil] really a less natural way to augment my life than flying 38,000 ft above the planet at 500 miles per hour? I tuck the pills into my carry-on bag and go". Good point Sherry Baker. In current conventional society it becomes more difficult to truly differentiate between what is natural to our nature and what is nurtured and created artificially. We seem to have become a hybrid species, have dependent on our nature and half revolving around synthetic and mass-produced pharmaceuticals. This, thus, aids our discourse into the heart of the matter and of humanity: What is real?